Books are not products.

They are outcomes of how a mind observes the world, processes power, grief, love, failure, responsibility, and systems.

Some of my books are written as stories. Some as frameworks. Some as quiet conversations with loss. Some as worlds meant to outlive a single format. Taken together, they do not represent genres. They represent a way of thinking.

The work below is organised by intent — not chronology, not format.

Fiction Worlds & Story Universes

These are narrative worlds where personal choices collide with power, history, morality, and consequence. Some began as screenplays, some as novels, some as ideas that refused to stay in one form.

Included works:

Children, Myth & Moral Imagination

Writing for younger readers demands restraint, honesty, and respect. These stories introduce danger without cruelty, courage without violence, and wonder without false comfort.

Cultural Roots & Living Traditions

  • Raiba and the Queen of the Jungle

  • The Hidden Treasures of Death Hollow

  • The Queen of the Jungle

  • The Journey of SUV

  • The Whiskers Family

  • Great Indian Festivals (Colour • Culture • Story)

  • Shiv Charitra for Children (Optional Coloring Book)

Imagination, Wonder & Global Joy

  • Colourful Christmas Dreams with Santa

Inner Life, Grief & Human Healing

Philosophy line:

Some books are not written to perform. They are written to survive. This cluster holds work born from loss, silence, and the slow rebuilding of meaning after collapse.

Included works:

  • The Death of My God

  • Falling in Reverse (intentionally crossover)

Systems, Leadership & Decision-Making

Stories move hearts. Systems hold lives together. This work focuses on structure in families, leadership, organisations, and personal responsibility.

Included works:

Marathi Works & Cultural Adaptations

Alongside English-language work, this stream reflects my engagement with Marathi theatre, short fiction, chitrakatha, and illustrated myth — including reinterpretations of legacy material and original cultural narratives.

Several of these works exist alongside or originate from English-language novels and story universes, adapted here into Marathi plays, short fiction, and illustrated narratives.

Included works:

  • Mi Duryodhan, Mi Suyodhan

  • Adrushya

  • Jungalchi Rani

  • Mrityuguhetil Khajina

Together, these works form a single continuum — of story, structure, and lived inquiry.